Beatrice Mandelman - Mixed -Madia, Collage Art

Beatrice Mandelman (December 31, 1912 – June 24, 1998), known as Bea, was an American abstract artist associated with the group known as the Taos Moderns. She was born in Newark, New Jersey to Anna Lisker Mandelman and Louis Mandelman,Jewish immigrants who imbued their children with their social justice values and love of the arts. After studying art in New York City and being employed by the Works Progress Administration Federal Arts Project (WPA-FAP), Mandelman arrived in Taos, New Mexico, with her artist husband Louis Leon Ribak in 1944 at the age of 32. Mandelman’s oeuvre consisted mainly of paintings, prints, and collages. Much of her work was highly abstract, including her representational pieces such as cityscapes, landscapes, and still lifes

 

 

 

 

 

 

 

 

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Pintings For Sale - Ruben Galerme

Contact
Email:rubengalerme@gmail.com

Phone 15 6 457 9610
CABA Argentina.

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Misty. Oil Painting on hardboard in 50 x 70 cm.,
Impressionist style.
Value: USD 2800.00.

 

Bariloche, center of sky.
Oil paint on canvas in 70 x 90 cm.
Value: USD 2700.00

 

Reflections of the pond with aquatic flowers.
homage to Claude Monet.
Impressionist decoration
made with oil paint on fiber panel in 97 x 70 cm. 
Value: prior consultation.

 

We praise at sunset.
Oil paint on fiberboard in 90 x 75 cm.
of impressionist technique made
Value: USD 2100.00

 

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Abstract Art Joseph Lacasse

Joseph Lacasse (1894–1975) is a Belgian artist who enjoyed a career that spanned some sixty-five years, during which he stood at the helm of Abstraction.Born in Tournai, Belgium in 1894 in a working-class family, Lacasse started his apprenticeship to become a painter-decorator as early as 1905. He was accepted the following year as a free student at the Ecole des Beaux Arts of Tournai where he continued his training until 1921. As a young boy, Lacasse worked alongside his father as a stone-cutter in a local quarry. His abstract pastels, dated 1910, were painted after a day of hard work, where the austere structure of the quarry fired his imagination. These early pastels are completely geometrical, though not symmetrical, and their aggressive shapes are softened by rounded lines. They are dominated by a powerful black construction, traced with great surety.After surviving the horrors of the First World War, Lacasse became a successful painter of figurative scenes illustrating the condition of the working classes, often depicted against a religious background. Following a trip to South Italy in 1921, where he painted his ‘motherhood’ series, always in a style of emphasized realism, he decided to enroll at the Académie Royale des Beaux-Arts, Brussels where Lacasse met his future wife, Stephanie Lupsin, daughter of the renowned art dealer.
At the outbreak of the Second World War, Lacasse decided to join General de Gaulle’s Resistance by moving to London with the Free French Forces. During the five years of wars Lacasse seemed to have put aside painting while teaching sculpture and ceramics in Stoke-on-Trent. During this period he was totally cut off from his family.
His absence from Paris cost him dearly for the Parisian artistic community had continued without him. In a moment of depression, he destroyed more than a hundred paintings. Having become a French citizen in 1946, Lacasse, encouraged by his wife and friends, went back to painting. Until his death in 1975, Lacasse’s work became the subject of countless exhibitions abroad including UK, Germany and the USA

 

 

 

 

 

 

 

 

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Milton Clark Avery

Avery's work is seminal to American abstract painting—while his work is clearly representational, it focuses on color relations and is not concerned with creating the illusion of depth as most conventional Western painting since the Renaissance has. Avery was often thought of as an American Matisse, especially because of his colorful and innovative landscape paintings. His poetic, bold and creative use of drawing and color set him apart from more conventional painting of his era. Early in his career, his work was considered too radical for being too abstract; when Abstract Expressionism became dominant his work was overlooked, as being too representational.
French Fauvism and German Expressionism influenced the style of Avery's early work, and his paintings from the 1930s are similar to those of Ernst Ludwig Kirchner. By the 1940s, Avery’s painting style had become more similar to Henri Matisse, and his later works use color with great subtlety.

 

 

 

 

 

 

 

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Constantin Brancusi - Modern sculpture

Constantin Brâncuși (February 19, 1876 – March 16, 1957)was a Romanian sculptor, painter and photographer who made his career in France. Considered a pioneer of modernism, one of the most influential sculptors of the 20th-century, Brâncuși is called the patriarch of modern sculpture. As a child he displayed an aptitude for carving wooden farm tools. Formal studies took him first to Bucharest, then to Munich, then to the École des Beaux-Arts in Paris from 1905 to 1907. His art emphasizes clean geometrical lines that balance forms inherent in his materials with the symbolic allusions of representational art. Brâncuși sought inspiration in non-European cultures as a source of primitive exoticism, as did Paul Gauguin, Pablo Picasso, André Derain and others. But other influences emerge from Romanian folk art traceable through Byzantine and Dionysian traditions

 

 

 

 

 

 

 

 

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Barbara Morgan - Photographer Of Modern Dance

Barbara Morgan (July 8, 1900 – August 17, 1992) was an American photographer best known for her depictions of modern dancers. She was a co-founder of the photography magazine Aperture.Morgan is known in the visual art and dance worlds for her penetrating studies of American modern dancers Martha Graham, Merce Cunningham, Erick Hawkins, Jose Limon, Doris Humphrey, Charles Weidman and others. Morgan’s drawings, prints, watercolors and paintings were exhibited widely in California in the 1920s, and in New York and Philadelphia in the 1930s.With two young children, Douglas born in 1932 and Lloyd in 1935, Barbara sought a workable way to be both a mother and an artist. To abandon painting in favor of photography seemed extreme, but for two saving factors; first, the emergence of an idea for a future book, and second, not requiring the uninterrupted daylight hours that painting does, and one could work at night in the darkroom. Although Barbara had exposed thousands of images, she still did not consider herself a photographer because she had not completed a cycle of developing and printing her own work. Thus she set up a new studio with a darkroom at 10 East 23rd Street, overlooking Madison Square, and began experimenting with the technical and darkroom aspects of photography in 1931. Barbara learned processing from Willard and worked on other gaps in her technique, chiefly with the 4x5 Speed Graphic camera and Leica with all lenses. She worked with Harold Harvey as he was perfecting his all temperature Replenishing Fine Grain Developer 777. During this time she started to explore photomontage

 

 

 

 

 

 

 

 

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Akan David - African artist

Akan David «explores traditional painting using surrealism, sgraffito, chromolumism (pointillism). His works are Mostly with multiple pictorial units, elaborate and high embellished motifs and african traditonal codes like the „Nsibidi“ sometimes amalgamating them with mystical and esoteric symbols all encoded in a picture.»


 

 

 

 

 

 

 

 

 

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Safia Wosth - Mixed Media

 

 

 

 

 

 

 

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Milena Olesinska - oil paintings on canvas

Contact :milenaolesinska@wp.pl

www.iobrazy.com.pl


Oil painting on canvas 120cm x 80cm


 Oil painting on canvas


 Oil painting on canvas


 Oil painting on canvas


 For Sale: Little girl in traditional Cracows outfit
Oil painting on canvas 2017 — 70cm x 50 cm
400 EURO


 

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Impressionism Ruben Galerme

 Contact
Email:rubengalerme@gmail.com

Phone:  15 6 457 9610
CABA Argentina.

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Sun effect on fruit trees.
Oil paint on hardboard in 50 x 70 cm.
Impressionist style Value: USD 960.00


 Puerto Olivos.
Oil painting on canvas in 65 x 83 cm.
Impressionist style. Value: USD 2700.00
 


A bar in Recoleta, Bs.As…
Oil Painting on hardboard in 50 x 70 cm.
Impressionist technique Value: USD 1100.00


 River and vegetation.
Oil painting on hardboard in 60 x 80 cm.,
Impressionist technique. Value: USD 1500.00

 

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