1. Abstract Composition no2 — Oil painting on canvas 100cm x 70cm August 2021
2. Abstract Composition- oil painting on canvas 80cm x 60cm
3. Oil painting on canvas — Abstraction 100 cm x 100. November 2018

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Sadamasa Motonaga (Japanese, 1922–2011) was a Japanese abstract painter and a founding member of the avant-garde Gutai group. He was born on November 26, 1922 in Mie Prefecture, Japan and initially sought to be a cartoonist before turning his attention to painting, studying under the tutelage of Jiro Yoshihara. A pronounced sense of humor remained in his work throughout his lengthy career, creating paintings which are characterized by simple lines and a gentle palette of muted primary colors.

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Manuel Felguérez Barra (1928 – 2020) was a Mexican abstract artist, part of the Generación de la Ruptura that broke with the muralist movement of Diego Rivera and others in the mid 20th century.The work of Felguérez poses a dialectic between abstraction and expression. His paintings articulate geometric figures as squares, triangles, circles or rectangles, that collides with the imprint of an expressive Informalism charged with gestural spontaneity."

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Pietro Cascella ( 1921– 2008) was an Italian sculptor. His principal work consisted of large monumental sculptures, including the International Monument to the Victims of Fascism in the Auschwitz II-Birkenau death camp in Poland (1957–1967), and an underground mausoleum for Silvio Berlusconi at his villa in Arcore in the 1980s

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Andrea Cascella was a sculptor, painter and ceramist. He was the son of Thomas and nephew of Michael. Like his brother Peter, he established himself as a sculptor, at first thanks to a collaboration with Domenico Rambelli, although at first he dabbled in painting and ceramics. Among his positions include the direction of the Academy of Brera.

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 Milena Olesinska — Wild Flowers — Camomiles,Poppies,Lupine

oil paintings on canvas 40cm 30cm

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Carel Nicolaas Visser ( 1928 — 2015) was a Dutch sculptor. He is considered an important representative of Dutch abstract-minimalist constructivism in sculpture.From 1948 until 1949 Visser studied architecture at the Technical University in Delft and subsequently from 1949 until 1951 sculpture at the Royal Academy of Arts, The Hague. After study in England and France, he settled as an independent artist in 1952 in Amsterdam.Around 1960, Visser was focussed on massive closed cube of iron and «slack» cube wire. Visser, among other things, was inspired by nature (plants and animals) which also explains his use of natural materials such as wood, wool, sand, feathers, bones, rope and leather.His works from the period 1975-1985 could be called environments, as opposed to the more sculptural work as the dying horse

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Mordecai Ardon (1896 –1992) was an Israeli painter. Ardon was born Max Bronstein in 1896 in Tuchów, Galicia (then Austria-Hungary, now Poland). In 1933 he emigrated to Jerusalem in Mandate Palestine. He was granted Palestinian citizenship in 1936 and changed his name to Mordecai Ardon. He participated in the Venice Biennale of 1968.Beginning in the 1950s Ardon adopted a complex system of symbolic images in his paintings, taken from the Jewish Mystical tradition (Kabbalah), from the Bible and from a tangible reality.

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Portrait — drawing 70cm x 50cm paper — oil pastels

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Juan Ponç (1927 — 1984) was a Catalan artist and member of the avant-garde group Dau al Set.Joan Ponç was born in the Sarría neighborhood of Barcelona, Spain to Gumersindo Pons and Dolors Bonet.He attended the Colegio Salesiano San Antonio de Padua de Mataró boarding school from 1940-1942, during which time he decided to pursue an interest in painting. In 1946, Ponç presented his first solo art exhibition at the Sala Arte de Bilbao, and met fellow Dau al Set contributors Joan Brossa, J.V. Foix, and Arnau Puig. Over the next couple of years, Ponç actively interacted and collaborated with forerunners of the Catalan avant-garde, such as Modest Cuixart and Joan Miró. Though the Dau al Set group ultimately disbanded in 1954, Ponç continued presenting his own artwork until 1980. On April 4, 1984, Ponç died of a heart attack while at his home in Saint-Paul-de-Vence, France. Four days later, he was returned to his residence and workshop in La Roca del Vallès, near Barcelona, for burial.

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