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Even the most modern and thoughtful interior will not look fully harmonious without wall decoration. A beautiful renovation of the apartment, expensive furniture, high-quality textiles, figurines — all this is the basis of the living room. But if the walls remain bare, even in the most beautiful interior you will feel uncomfortable. So, in addition to furniture and decor, it is important to choose paintings in the living room in order to achieve maximum unity of style and harmony. Milena Olesinska

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Rufino del Carmen Arellanes Tamayo ( 1899 – 1991) was a Mexican painter of Zapotec heritage, born in Oaxaca de Juárez, Mexico.Tamayo was active in the mid-20th century in Mexico and New York, painting figurative abstraction with surrealist influences. Rufino Tamayo was a Mexican painter and printmaker known for his large-scale murals and vivid use of color.Tamayo's method situates his composition as the focal point instead of emphasizing the subject alone. By doing so, looks at the painting as a whole. He explained his approach to Paul Westheim as follows: “As the number of colors we use decreases, the wealth of possibilities increases". Tamayo favored using few colors rather than many; he asserted that fewer colors in a painting gave the art greater force and meaning.

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  Minoru Onoda  was an important member of the Gutai Group's younger generation having joined the group in 1965. His 'Paintings of Propagation' theory was a crucial step in his early career. He was included in the important retrospectives on the Gutai Group at the Solomon R. Guggenheim Museum in New York in 2013 and the National Art Center in Tokyo in 2012.Minoru Onoda was born 1937 in Manshu, North-East District, China (Japanese-occupied Machuria Jilin Province, China). He studied at the Institute of Fine Arts, Osaka, Japan from 1956 to 1958 and from 1958–1960 at the Osaka School of Art (currently Osaka College of Art). He lived most of his life in Himeji, Japan where he died in 2008.After publishing his «Paintings of Propagation' theory in 1961 and participating in the 3rd International Exhibition for Young Artists in Paris in 1964, Onoda Minoru joined Gutai and stayed faithful to their leader Yoshihara Jiro's motto to „do what has never been done before“ for the rest of his career. The Gutai Group was the first radical artistic movement after World War II in Japan. This influential group was involved in large-scale multimedia environments, performances, and theatrical events and emphasizes the relationship between body and matter in pursuit of originality.

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Even the most modern and thoughtful interior will not look fully harmonious without wall decoration. A beautiful renovation of the apartment, expensive furniture, high-quality textiles, figurines — all this is the basis of the living room. But if the walls remain bare, even in the most beautiful interior you will feel uncomfortable. So, in addition to furniture and decor, it is important to choose paintings in the living room in order to achieve maximum unity of style and harmony. Dear friends. I am professional artist with many years of experience. I would like to offer you unique opportunity of having a painting, made according to your individual wishes. Oils, watercolours, graphics, portraits or decorative motives, small or large- your involvement in creating of art will make your interiors very special. To ensure highest standard and unique nature of my art, I use only traditional techniques and methods

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Balcomb Greene (1904–1990) and his wife, artist Gertrude Glass Greene, were heavily involved in political activism to promote mainstream acceptance of abstract art. They were founding members of the American Abstract Artists organization.His early style was completely non-objective. Juan Gris and Piet Mondrian as well as Pablo Picasso and Henri Matisse influenced his early style. From the 1940s his work «opened out to the light and space of natural form.» He painted landscapes and figure. «He discerned the pain of a man, and hewed to it integrally from beginning to end…. In his study of the figure he did not stress anatomical shape but rather its intuitive, often conflicting spirit.»

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Jane Winkelman (1949 — 2012) was an American painter. Her paintings are often signed «Jane 'in vain' Winkelman.» She is considered an outsider artist.Jane Winkelman was born in 1949 in Long Island, New York. She lived for a time in Miami as well as San Francisco. While in San Francisco, she lived on the edge of homelessness in the Tenderloin distric.Winkelman was introduced to painting at San Francisco's Hospitality House, a free community arts center. Her work is characterized by vivid colors, fantastic figures, and strong political commentary.They often include text as well as images. Her style has been compared to that of Hieronymous Bosch, Marc Chagall, and Edvard Munch

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 John Hoyland (b.1934 Sheffield, UK – d.2011 London, UK) was one of the most inventive and dynamic abstract painters of the post-war period. Over the span of more than a half-century his art and attitudes constantly evolved. A distinctive artistic personality emerged, concerned with colour, painterly drama, with both excess and control, with grandeur and above all, with the vehement communication of feeling.

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Pedro Reinaldo Alvarez Castelló (1967-2004) was a Cuban painter who rose to prominence during Cuba's Special Period. Alvarez was a native of Havana, Cuba. He studied art at the Escuela Nacional de Bellas Artes «San Alejandro» from 1980-1985 and the Instituto Superior Pedagogico Enrique Jose Varona from 1986-1991. He was a member of the National Union of Writers and Artists of Cuba. He married a Cuban woman and had a child. When he wasn't travelling to promote his work, he divided his time between Malaga, Spain and Havana.

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«George Woodman (1932 – 2017) was a photographer and painter whose career spanned more than sixty years and included forays into diverse visual media. Woodman was deeply influenced by classical and modernist traditions. He was committed to explorations of color and abstraction in a variety of forms — landscape, geometric, and patterned — before pivoting toward the figure, sculpture, and architecture.

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