Zbylut Grzywacz - erotic paintings

Zbylut Grzywacz (June 4, 1939 – July 16, 2004) was a Polish painter, sculptor, graphic artist, and professor of the Academy of Fine Arts in Kraków with paintings in permanent collections of the National Museum in Kraków, Warsaw, Poznań, Gdańsk and Wrocław. Grzywacz took part in over a hundred Polish and international art exhibits, with around 40 one-man shows to his credi.Grzywacz studied painting at the Academy of Fine Arts in Kraków and received his Master’s degree in 1963 in Emil Krcha atelier. He worked at the Academy as a teaching assistant in the Department of Painting since 1972 and in 1991 became a professor there. Interned during the martial law of 1981 Grzywacz was an active supporter of the dissident movement in communist Poland before the Revolutions of 1989.Wikipedia
 Painting mostly nudes and erotic paintings. Zbylut Grzywacz described his creative path, writing about himself in the third person:
    (…) after two decades of paintings that which did not please him, he decided to paint what he was most fond of. Therefore, as all men his age, he admired young woman and the naked female body become the main focus of each painting. The result is numerous sketches, drawings and paintings that each have a unique description.(culture.pl)

 

 


 

 

 

 

 

 

 

 

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Abstract art Stan Chaubet

«I'm a french painter, 46 years old. I live on Provence on a small village since 6 years. I ve been travelling all my life long but now i ve decided to give the rest to the painting.
I guess that like others artists, i.m crazy and work night and day. „

 

 

 

 

 

 

 

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Polish Painting Józef Hałas

«Prof. Józef Hałas (born 1927 — died 2015) painter and pedagogue, representative of Polish contemporary art. Since his first individual exhibition in 1955, he has participated in over 300 expositions in Poland and abroad. The artist who promoted his creative delight about the nature and  interpretation of her originality in a unique way. He left a powerful collections, of more than 2,500 works — oil paintings, acrylic works on canvas and papers in gouache technique, watercolor, ink, and the immensity of his work has never been sufficiently shown. The artist was open to the world, courageous and uncompromising, participated in art world by inducting dialogue and combating marginalization, but also working on audience development to who Hałas directed his writings on art. The last two years of his life he has sacrificed to creations of large formats (2 m x 2 m), those canvases are the continuations of revolutionary painting ideas of the artist. They were presented on the last in Józef Hałas life exhibitions “Hałas 14 Młodość” held in mia ART GALLERY in Wroclaw in December"


 

 

 

 

 

 

 

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Photo Collage Mila Smagliy

 

 

 

 

 

 

 

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Color Field Howard Hodgkin

Sir Gordon Howard Eliot Hodgkin (6 August 1932 – 9 March 2017) was a British painter and printmaker. His work is most often associated with abstraction.
Gordon Howard Eliot Hodgkin was born on 6 August 1932 in Hammersmith, London, the son of Eliot Hodgkin (1905–1973), a manager for the chemical company ICI and a noted amateur horticulturist, and his wife Katherine, a botanical illustrator. During the Second World War, Eliot Hodgkin was an RAF officer, rising to Wing Commander, and was assistant to Sefton Delmer in running his black propaganda campaign against Nazi Germany.His maternal grandfather Gordon Hewart, 1st Viscount Hewart was a journalist, lawyer, MP and Lord Chief Justice; and the scientist Thomas Hodgkin was his great-great-grandfather's older brother.[5] Hodgkin was a cousin of the English still-life painter Eliot Hodgkin (1905–1987)
During the Second World War, Hodgkin was evacuated with his mother and sister to the USA, where they lived on Long Island, New York. On returning, he was educated at Eton College and then at Bryanston School in Dorset.He had decided on a career in art in early childhood and ran away from school to pursue this.
He studied at the Camberwell Art School and later at the Bath Academy of Art in Corsham,where Edward Piper studied drawing under him.

 

 

 

 

 

 

 

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Ceramics and Sculpture Kirk Mangus

Kirk Mangus (1952–2013) was an internationally renowned ceramic artist and sculptor «known for his playful, gestural style, roughhewn forms, and experimental glazing». His murals, works in clay, on paper, in wood, and other media pull from a rich and diverse set of influences: ancient Greco-Roman art, mythology, Japanese woodblock prints, comic books, folk stories, from Meso-American through Middle-Eastern and Asian ceramic traditions as well as the people he saw, the places he travelled, and his own dreamworld. He loved experimenting with new mediums, local materials, clay bodies, slips, kiln-building and the firing process.

 

 

 

 

 

 

 

 

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Eugene James Martin

Eugene James Martin (Washington, D.C., July 24, 1938 – Lafayette, Louisiana, January 1, 2005) was an African-American visual artist.
Eugene J. Martin's art is best known for his imaginative, complex mixed media collages on paper, his often gently humorous pencil and pen and ink drawings, and his paintings on paper and canvas that may incorporate whimsical allusions to animal, machine and structural imagery among areas of «pure», constructed, biomorphic, or disciplined lyrical abstraction. Martin called many of his works straddling both abstraction and representation «satirical abstracts».He did not create sculptures.


 

 

 

 

 

 

 

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Art & Fashion : Shail Upadhya

Shail Upadhya (1935-2013) was a Nepalese diplomat, United Nations disarmament expert and fashion designer.
In a second career, Upadhya worked as a fashion designer, becoming a social fixture in New York City, known for his flamboyant and colorful suits and outfits. He was a prominent presence in the 2011 documentary film Bill Cunningham New York, about New York Times fashion photographer Bill Cunningham.He lived in New York City, Southampton, New York, and Miami, Florida.

 

 

 

 

 

 

 

 

 

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Painting & Sculpture Edward Delaney

Though they do exhibit some of his trademark expressionism, the statues of Wolfe Tone and Thomas Davis are less abstract than was most of his work at the time; the famine memorial is more typical in this regard. However, arts writer Judith Hill points out that these statues make no attempt at an exact likeness of the figures they portray, instead, they communicate the public stature of their subjects and, indeed, the public role of memorial statues through their proportions and scale.In this way, it is argued, they mark the transition from memorial and public art.
What all Edward Delaney's work shares is robustness, in an Irish Times review of his 2004 retrospective,arts writer Aidan Dunne described his bronzes as robust, but having an awkwardness, a tenderness about them.
From 1980 onwards, Edward Delaney concentrated on large scale environmental pieces and stainless steel works in Carraroe, County Galway. The Royal Hibernian Academy held a retrospectives of his work in 1992 and again in 2004

 

 

 

 

 

 

 

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Lyrical abstraction Carol Haerer

Carol Haerer was born and raised in Kansas and received her B.A. from the Univeristy of Nebraska. She won a Fulbright Scholarship and a Woolley Fellowship allowing her to study, work, and exhibit in Paris in the 1950s. She returned to the U.S. to study at U.C. Berkeley, shortly thereafter co-founding the Berkeley Gallery. She moved to New York in the late 1950s, becoming a prominent New York abstractionist. Carol Haerer exhibited at the San Francsico Museum of Modern Art, the Whitney Museum, the Sheldon Memorial Art Gallery, Dartmouth College, and numerous New York galleries. Haerer's work is in the collections of the Guggenheim Museum, the Whitney Museum, the Sheldon, the University of Kansas, and many others

 

 

 

 

 

 

 

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