Richard Stankiewicz- Abstract Sculptures

«Originally trained in engineering, Stankiewicz established his reputation in the 1950s as a master of witty junk assemblages. By 1969, however, he was using newly fabricated industrial elements such as cylinders and I-beams to fashion comparatively restrained abstractions. Australia No. 9, 1969, another work by Stankiewicz in Storm King’s collection, marks this turning point in his career. The sculpture is a result of a three-month visit to Australia, during which he had an opportunity to create work in a steel plant in Sydney. The experience provided Stankiewicz with an understanding of industrial steel manufacturing and new welding techniques, which profoundly impacted his practice. The artistic process was paramount for Stankiewicz, who once commented, “It isn’t the thing; it’s making the thing. Because in making the thing you are making yourself, and after you have made it you are a little bit changed and that’s the product, and the thing, it can go into the world.”

 

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Albert Szukalski - "Ghosts" - Contemporary Sculpture

Albert Szukalski (4 April 1945 in Furth im Wald – 25 January 2000 in Antwerp) was a Polish-Belgian visual artist who worked with the use of mixed media and sculpture. Szukalski was born 4 April 1945, Furth im Wald and died 25 January 2000, in Antwerp, Belgium.
Albert Szukalski, 1988 in Rhyolite, Nevada, with a photo of his sculpture „The Last Supper“Szukalski was best known as the sculptor of works that the artist termed “ghosts". Szukalski traveled to the Nevada desert in 1984 to create “The Last Supper” sculpture, considered to be the centerpiece of the Goldwell Open Air Museum near Rhyolite.

 

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Kurt Seligmann - Surrealism

Kurt Seligmann (1900–1962) was a Swiss-American Surrealist painter and engraver. He was known for his fantastic imagery of medieval troubadors and knights in macabre rituals and inspired by the carnival held annually in his native Basel, Switzerland. «Among those artists of the second generation of Surrealists, Kurt Seligmann has been largely neglected in recent decades by art historians, although he was highly regarded by curators and critics in the 1930s and 40s. This neglect may be explained partially by his eccentric imagery and by his somewhat academic approach, the latter in fact a reflection of his artistic and intellectual independence. He never identified exclusively with any particular ‘ism’, although he found some more plausible than others. What really concerned him was the quest for a synthesis of abstract and figurative modes within the scope of pictorial concerns.»

 

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Vladimír Boudník - Active and Structural Graphic Art

«Vladimír Boudník (17 March 1924 in Prague — 5 December 1968 in Prague) was a graphic artist, photographer and a key figure in Czech post-war art, and a representative of the „explosionism“ movement. He is best known for his active and structural graphic art, but also created mostly photographic and monotype works that, until recently, remained unknown..Boudník worked mostly in graphics, and developed a number of innovative printmaking techniques. He was also one of the first Czech artist to begin working with the general public, organizing „happenings“ and interacting with psychiatric patients.»

 

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Dan Flavin - Installations from fluorescent light fixtures

Dan Flavin (April 1, 1933, Jamaica, New York – November 29, 1996, Riverhead, New York) was an American minimalist artist famous for creating sculptural objects and installations from commercially available fluorescent light fixtures.
In the early ’60s he began to experiment with the use of fluorescent lights mounted on painted wood armatures. He became one of the first Minimalists, concerned with real space as a formal device, industrial materials, and simplified forms. He used factory-made fluorescent lights in standard lengths and colours, thereby taking light as a found object. Flavin would use this basic format for the rest of his career, varying the number and scale of his pieces on the basis of space.

 

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Jerzy Duda-Gracz - Culture of Poland

«Jerzy Duda-Gracz painter, illustrator, graphic artist and scenographer. Born on March 20th, 1941 in Częstochowa. Died on November 5th, 2004 in Łagów.He graduated from the Graphic Faculty at the Katowice-branch of the Academy of Fine Arts in Kraków.
Duda-Gracz's art contains elements of both grotesque and irony on one hand and of sentimentalism and nostalgia on the other. The latter derives from a world which, in the painter's own words, 'departs, dies, which has more in common with the world of dreams, childhood memories' – the 'post-industrial landscape world'. He is, however, known primarily for works with more bitter overtones which comment on the socio-political reality of the past decades, beginning with the communist-era Poland and ending with the beginnings of the transformation.»

 

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Franciszek Starowieyski - Surrealism

Franciszek Andrzej Bobola Biberstein-Starowieyski (July 8, 1930, in Bratkówka, Poland – February 23, 2009) was a Polish artist.«Endowed with a baroque imagination, Starowieyski is highly adept at combining sensuous forms with intellectual messages, producing unexpected effects and shocking surrealist visions. His art is exquisitely ornamental and uses a plethora of unique metaphors and an individual system of signs originating from his beloved baroque esthetics. His paintings reveal a fascination with the sensuous, Rubensian female bodies and convey a reflection on passing and death. Saturated with grotesque and humour, his art combines the real world with creations of his rampant imagination and makes ostentatious references to the 17th century masters. Starowieyski, who is a master of drawing, says of himself,
    „Ever since I remember, drawing has been my language. It best expresses my thoughts“.

 

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Moshe Kupferman - Introspections

Moshe Kupferman (1926-2003) was an Israeli artist.
Moshe Kupferman's work links recent lyric abstraction to the modernistic. It is the result of a process beginning with free, uncritical expression bordering on personal confession, and continuing with critical painting, in which the artist «erases» his «confession». The final result testifies to the preceding stages, and to the inherent conflicts in his work, between expressive drama and introspection, form and atmosphere, destruction and construction.


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Thornton Dial - Assemblage Art

Thornton Dial (American, 1928–2016) was a self-taught artist from Emelle, AL, known for his large-scale assemblages that address issues of racism, war, and homelessness.
Thornton Dial was a pioneering African-American artist best known for his large-scale assemblage paintings. He melded complex themes like Civil Rights history, archaeology, and construction, through the use of materials like cow skeletons, American flags, and rebar. Often referred to as an “outsider artist,” Dial’s work is highly biographical. Born on September 10, 1928 in Emelle, AL, Dial's youth was filled with hardship, born into poverty on a sharecropping farm. Though he never received any formal art training, he made sculptures from found objects from a young age.

 

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Ursula Schultze-Bluhm

Ursula Schultze-Bluhm: A leading German painter and etcher of the latter twentieth century Ursula Schultze-Bluhm moved to Berlin in 1938 and began her art studies there. With the commencement of the Second World War (1939-1945) she was ordered to work in the government bureaucracy and then returned to her studies and began exhibiting her art after the war in the Amerika-Haus-Programme (1945-1953).Ursula Schultze-Bluhm first visited Paris in 1951. Shortly thereafter her work came to the attention of Jean Dubuffet who in 1954 featured her prints and paintings in his famous 'Musee de l'Art Brut'. In the following year (1955) she married another leading German etcher, Bernard Schultze. Together the artists lived and worked not only in Germany and France but in New York and Washington (1964-1967), Leningrad (1970), Ceylon and Thailand (1973), Mexico and Guatemala (1975), and Hong Kong and Bali (1977).Ursula Schultze-Bluhm's first solo exhibition took place in Frankfurt in 1954. After that date her art was the subject of many exhibitions in cities such as Paris, Hanover, Heidelberg, Dusseldorf, Munich, Stuttgart, Hamburg, Basel and Vienna.Like the art of her husband, Ursula Schultze-Bluhm dedicated her work to the creation of a private universe or individual mythology. Memories, unconscious associations and fantasies play key roles in her great, Surrealist art. Selbst Portrait is one of her finest works of graphic art.

 

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Paintings For Order


Dear friends. I am professional artist with many years of experience. I would like to offer you unique opportunity of having a painting, made according to your individual wishes. Oils, watercolours, graphics, portraits or decorative motives, small or large- your involvement in creating of art will make your interiors very special. To ensure highest standard and unique nature of my art  I use only traditional techniques and methods..Milena Olesinska

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