«Tears»
60cm x 51 cm.
Drawing on paper — pen, felt pen — 150 Euro

«Eye of God»
58cm x 59cm
Mixed media  paper — 150 Euro

 «Silence» Acrylic 59cm x 42cm — 200 Euro

«Sun»
61cm x 57cm.
Acrylic on paper — 200 Euro

"Stones and Flowers"
  Acrylic — 84cm x 59.5 cm. — 200 Euro

«Flowers»
  Acrylic — 30cm x 40cm. — 200 Euro

drewing 30cm x 40cm 150 Euro

drewing 30cm x 40cm 150 Euro

drewing 30cm x 40cm 150 Euro

Drawing — paper — size A4 (30cm x 20cm) 100 Euro

Drawing — paper — size A4 (30cm x 20cm) 100 Euro

Drawing — paper — size A4 (30cm x 20cm) 100 Euro

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Ed Moses (born April 9, 1926) is an American artist based in the Los Angeles area and considered one of the most innovative and central figures of postwar West Coast art.
Moses exhibited at the legendary Ferus Gallery in 1957 along with fellow prominent artist figures including Wallace Berman, Billy Al Bengston, Robert Irwin, Craig Kauffman, John Altoon, Larry Bell and Ed Ruscha. Over the next five decades, Moses would soar to prominence, gaining attention not only throughout Los Angeles and the United States, but internationally as well. Moses was the first to do so of his generation since John McLaughlin, Richard Diebenkorn and Sam Francis. While these artists developed a mature style, Moses has managed to resist any stylized approach and remain more experimental, playing to his curiosities by moving past what he already knows

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Gerard Ernest Schneider (1896–1986) was a Swiss painter.
A major pioneer of Lyrical Abstraction, a gestural and personal form of abstraction, along with Hans Hartung and Pierre Soulages, Gérard Schneider was shown in Paris at the Galerie Louis Carré as early as 1950.
From 1955 to 1960, Schneider’s work was exhibited at the famous Kootz Gallery in New York where an exclusivity contract connected the artist and the major American dealer Samuel Kootz.
From gesture, “the shape is born, whether lyrical or dramatic, with its colour and technical means, without any reference to external nature” according to Schneider.
Eugène Ionesco even spoke of “the original, eruptive, richness” of his work.
From nervous gesture and volcanic composition, full of tension, of the 1950s followed “the light years” from Michel Ragon’s expression, which were marked by the balance of forms reflecting each other and the explosion of colour. “Painting should be looked in the same way as music is listened to” as Schneider enjoyed saying

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Elżbieta Szczodrowska-Peplińska (born September 5, 1921 in Tczew, May 30, 2009) — Gdańsk sculptor
«ElzbietaSzczodrowska is mostly known for the Monument to the Fallen Shipyard Workers of 1970 in Gdańsk, Poland In her earlier works she shows the suffering of people during the War. She created sculptures of prisoners of the World War II, which are part of permanent exhibition in Stutthof Museum in Sztutowo, Poland. The most important and biggest project she and her husband Robert Peplinski were involved, was the interior décor of reconstructed church of Saint- Brigida in Gdansk. They created all sculptures in Baptisteries and the sculpted gate to it, the banister on the chorus consisting of series of sculpted musicians, Tabernacle, altar of Saint-Antoine and Saint-Mary of Czestochowa, and others… This works open the door to other Churches, where She created sculptures of Christ, Saints, and Convent(s) in Koscierzyna, where she and her husband made sculpted interior décor of the chapel. ElzbietaSzczodrowska loved to draw, pain and sculpt children, show their movement and expression.»(slideshare.net )

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 Natural: Brazil
Photomanipulation ,Digital Art

www.exposition.com.pl

Akan David — is an Enigmatic African Artist, currently residing in Nigeria his works ofart thrives mainly on Afro-Cultural, spiritual,
psychological issues,mythological tales, sensuality and folklores.
Although having multi-techniques in art he predominantly explores traditional painting using surrealism, sgraffito, chromolumism (pointillism). His works are Mostly with multiple pictorial units, elaborate and high embellished motifs and african traditonal codes like the «Nsibidi» sometimes amalgamating them with mystical and esoteric symbols all encoded in a picture.

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Bruno Giorgi (13 August 1905, Mococa – 1993, Rio de Janeiro) was a Brazilian sculptor, from a small town in the interior of São Paulo state called Mococa. His works are displayed at several national sites. Although born in Brazil he spent much of his youth in Europe as his family returned to Italy when he was six and he did not return to Brazil until 1939

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Edward Hartwig (1909–2003) was a Polish photographer. Born on 6 September 1909 in Moscow and died on 28 October 2003 in Warsaw… «Photographer who had a strong influence on the development of Polish photography in the sixties and seventies. Born on the 6th of September 1909 in Moscow and died on the 28th of October 2003 in Warsaw.
His father ran a photography workshop in Moscow and later in Lublin. Around 1925 Edward Hartwig took up photography himself. In the years 1930-32 he was interested in painting. He cultivated this passion for the rest of his life. In Lublin Hartwig befriended the clourist painter Zenon Kononowicz. From 1932 to 1934 he studied at the Graphisches Institut in Vienna. The well-known photographers Rudolf Koppitz and Hans Daimler were among his teachers. In 1929 in Lublin he presented his works for the first time. In 1938 he already worked as a freelance photographer. In the thirties he took part in exhibitions in Lublin and Warsaw alongside Polish pictorialists.

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