Chris Burden - performance and installation art

«Christopher Lee „Chris“ Burden (April 11, 1946 – May 10, 2015) was an American artist working in performance, sculpture and installation art.Christopher Lee Burden, the son of Robert Burden, an engineer, and Rhoda Burden, a biologist, was born in Boston in 1946 and grew up in Cambridge, Massachusetts,France and Italy.[4] When he was 12, he endured emergency surgery — performed without anesthesia — on his left foot after having been severely injured in a motor-scooter crash on Elba; during the long convalescence that followed, he became deeply interested in visual art, particularly in photography.Burden studied for his B.A. in visual arts, physics and architecture at Pomona College and received his MFA at the University of California, Irvine – where his teachers included Robert Irwin – from 1969 to 1971. Burden began to work in performance art in the early 1970s, he made a series of controversial performances in which the idea of personal danger as artistic expression was central.
One of Burden’s most reproduced and cited pieces, Trans-Fixed took place on April 23, 1974 at Speedway Avenue in Venice, California.For this performance, Burden lay face up on a Volkswagen Beetle and had nails hammered into both of his hands, as if he were being crucified on the car. The car was pushed out of the garage and the engine revved for two minutes before being pushed back into the garage.
Later that year, Burden performed his piece White Light/White Heat at the Ronald Feldman Gallery in New York. For this work of experiment performance and self-inflicting danger, Burden spent twenty-two days lying on a triangular platform in the corner of the gallery. He was out of sight from all viewers and he could not see them either. According to Burden, he did not eat, talk, or come down the entire time........»

 

 

 

 

 

 

 

 

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