Martin Kippenberger was one of the most influential German artists of his generation. Emerging alongside Albert Oehlen and Günther Förg, Kippenberger’s work often featured caustic commentary on the art world and reactionary takes on iconic art-historical tropes. “My style is where you see the individual and where a personality is communicated through actions, decisions, single objects and facts, where the whole draws together to form a history,”
Kippenberger’s refusal to adopt a specific style and medium in which to disseminate his images resulted in an extremely prolific and varied oeuvre which includes an amalgam of sculpture, paintings, works on paper, photographs, installations, prints and ephemera.

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Oil paintings on canvas 70cm x 50 cm / November 2020

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Jon Peterson (1945–2020) was an American artist, most known for his «guerrilla sculpture» in the 1980s and his stylistically eclectic paintings in the 2000s.He was active in the emergence of Los Angeles’s downtown art scene—partly captured in the 1982 documentary, Young Turks—as both an artist and real estate developer. His work has been commissioned by or exhibited at Los Angeles Contemporary Exhibitions the San Diego Museum of Art, Washington Project for the Arts, Madison Museum of Contemporary Art, Houston Art Festival, Foundation for Art Resources, and the International Sculpture Conference.

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 He was born 1925 in Leńcze near Lanckorona, died 2017 in Kraków — sculptor, medalist, painter, drawer, professor at the Academy of Fine Arts in Kraków, member of the Polish Academy of Arts and Sciences. After graduating from the High School of Fine Arts, he began his studies at the Academy of Fine Arts in Kraków. He was a student of Xawery Dunikowski. Chromy received his diploma in 1956. In his work he deals with a wide range of subjects. His sculptures on historical and martyrdom themes (Pieta Oświęcimska, 1963), music (Monument of Frederic Chopin, 2005), cosmology (Copernicus, constellations and star systems) and animalism are noteworthy. Among the extraordinary sculptures and monuments that have already become a permanent part of Krakow's landscape are the Wawel Dragon from the Vistula River (1969), the Fountain of Buskers from Wolnica Square, the Owls from Planty, the Sheep from the Square in front of the Agricultural Academy, and the Dog Dżog Monument (2001), situated on the Vistula boulevards near Wawel Hill.

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 Oil paintings  on canvas 70cm x 50cm / November 2020

 I create portraits from photos provided by clients. Portraits can be made in many different techniques- black and white pencil drawings, colourful pastels, oil paintings on canvas
Price depends on technique used, size and number of people on the painting.

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«The Noah Purifoy Outdoor Desert Art Museum of Assemblage Sculpture sits on ten-acres in the Mojave Desert foothills near the Mojave National Preserve, an austere expanse of scrubby desert and jagged mountains established in 1994 as part of the California Desert Protection Act. The site holds the home, studio, and sculpture park of renowned assemblage artist Noah Purifoy (1917-2004) who lived there from 1989 until his death.He viewed art as a vehicle for transformation, stating that he simply wanted to be known as an artist who made art for the sake of change and who strove to understand art and its role in the world.»

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 William Edmondson (1874–1951) was the first African-American folk art sculptor to be given a one-person show exhibition at the Museum of Modern Art in New York City
Edmondson entered the world of sculpture at the advanced age of about 60 years old in 1934. He reported that he received a vision from God, who told him to start sculpting: «I was out in the driveway with some old sculptures of stone when I heard a voice telling me to pick up my tools and start to work on a tombstone. I looked up in the sky and right there in the noon daylight, he hung a tombstone out for me to make. I knowed it was God telling me what to do.» He carved tombstones primarily from chunks of discarded limestone from demolished buildings, which were delivered to him by wrecking companies' trucks. A signature Edmondson tombstone reflects strong large lettering carved in the stone. He began his career by working on these tombstones, which he sold or gave to friends and family in the community.

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Charging Bull, sometimes referred to as the Wall Street Bull or the Bowling Green Bull, is a bronze sculpture that stands on Broadway just north of Bowling Green in the Financial District of Manhattan, New York City. Oil painting on canvas 100cm x 70cm / October 2020

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 Sven Inge Höglund  (1935 –2008) was a Swedish painter and pop artist who came to some prominence in the late 1960s, doing performed visual experiments with digital technology as an art medium, and coloristic paintings.Sven Inge was born in Umeå in 1935 and grew up in a small village in Västerbotten in northern Sweden. From early age, he was interested in drawing and became involved in experimental art after moving to Sundsvall, and later to Stockholm by the early 1960s. At the end of the 1960s, he gained notability co-producing, together with Ture Sjölander and Lars Weck, the experimental video performances Monument (1968) and Space in the Brain (1969), both made for Swedish Television. In addition to video performances, he worked with static images of science fiction and space travel, as well as a number of monumental paintings. In 1972, Inge created the photographic work Glesbygdare, and in 1973 Kronotorpare. Later, Inge worked with computerized holographic art, notably The Expanded Cube, which was performed at art galleries in the United States, Japan, and Taiwan. In the 1970s, he also worked with laser installations. As of the late 1970s, Sven Inge focused more on paintings, as well as a number of transparent three-dimensional images on acryl glass.

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Contemporary Artist from Sweden

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