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Oil on canvas 70cm x 50cm 

Oil on canvas 100cm x 70cm 

«Until 1956 Dalwood was a sculptor of figures — figures that were boldly, even brutally, re-formed to coincide with artist’s intention, but later adopted an abstract imagery, shedding gradually such reminiscences of the human body as remained in his sculptures. He worked in clay, modelling the surface by hand and leaving tell tale finger prints and marks, and casting pieces in bronze or aluminium. He tended to combine geometric shapes with surprising free forms, to juxtapose extreme differences of scale, and to ignore the then conventions of organic form relationships.»

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Guardian of words and magic

For sale 

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Yvonne Domenge (1946-2019) was a Mexican artist.Over the last 35 years, Domenge's work has been focused in sculpture. She's had more than 40 individual exhibitions and has also taken part in more than 160 collective shows in several cities across Mexico, and around the world«Yvonne Domenge has devoted her life to art from a very young age. She grew up around powerful influences in aesthetic value, philosophy, living your passion, and being free. Her artistic career spans across decades, intertwining with the twists and turns of Mexican society, culture, and politics. She’s proud to have lived that history and to have carved out her own gladiator-like path in the world of sculpture. “I was born to be a sculptress; since I was young I knew it. Working with passion is one of the most important things. It is a great discipline, and it gives me sense to live.»

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«Chief Beau Dick (Walas Gwa’yam), acclaimed as one of the Northwest Coast’s most versatile and talented carvers, was born in Alert Bay, BC where he lived and worked. Reaching out beyond the confines of his own Kwakwaka’wakw culture, Dick explored new formats and techniques in his work, including painting and drawing.»

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Swedish contemporary artist

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American artist Grace Hartigan (1922-2008) was a second-generation abstract expressionist. A member of the New York avant-garde and a close friend of artists like Jackson Pollock and Mark Rothko, Hartigan was deeply influenced by the ideas of abstract expressionism. However, as her career progressed, Hartigan sought to combine abstraction with representation in her art. Although this shift garnered criticism from the art world, Hartigan was resolute in her convictions. She held fast to her ideas about art, forging her own path for the duration of her career.Hartigan’s first significant exposure to modern art came when a fellow draftsman offered her a book about Henri Matisse. Instantly captivated, Hartigan knew right away that she wanted to join the art world. She enrolled in evening painting classes with Isaac Lane Muse. By 1945, Hartigan had moved to the Lower East Side and immersed herself in the New York art scene.

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Leslie George Hurry (10 February 1909– 20 November 1978) was a British artist and set designer for ballet, theatre and opera.Hurry was born in London, where his father, A. G. Hurry, was a funeral director in St John's Wood. Leslie Hurray was educated at Haberdashers' Aske's Boys' School before, resisting pressure to join the family business, he attended St. John's Wood Art School and the Royal Academy Schools. In the second half of the 1930s he wandered Britain and Ireland painting landscapes. Depressed with his work and seeking inspiration to develop a personal style, he moved to Brittany then Paris, but was forced to return to Britain due to health problems.

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Ernest Ruckle (1940 -2018) was an American artist noted for his elaborately structured paintings.He was born in Neptune, New Jersey, US. Ruckle attended elementary schools in Florida and Georgia, and high school in New Jersey. At Rutgers University, he at first majored in biology, but later switched to English literature and specialized in literary criticism. His most influential teachers were Francis Fergusson and Paul Fussell.

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“Yechiel Shemi ‎(1922-2003) was an Israeli sculptor. His environmental sculptures are displayed in open spaces around the country.In 1959-1961, Yechiel Shemi studied art in Paris. In 1977-1979, he taught sculpting and lectured on environmental sculpture at Oranim Teachers College. He also taught at the Technion in Haifa and the Ein Hod artist’s colony. In 1962 Shemi began to create expressive works. The raw material used in these sculpture was mostly scrap metal.In the late 1960s and throughout the 1970s Shemi changed the technique used in his sculptures. Instead of using ready-made objects, he reduced his art to geometric shapes.” 

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